27 May 2012
Anonymous Battles Media Gorgons
We Are Anonymous Index:
http://cryptome.org/2012/05/we-are-anon-index.pdf
(2MB)
Excerpt on alleged IRC chats between Hector "Sabu" Monsegur and Julian Assange:
http://cryptome.org/2012/05/sabu-anon-lulzsec-assange.pdf
(1.5MB)
http://amzn.to/KUl4SO
Anonymous Battles Media Gorgons, May 26, 2012
By John Young "Cryptome" (New York, NY)
This review is from: We Are Anonymous: Inside the Hacker World of LulzSec,
Anonymous, and the Global Cyber Insurgency (Hardcover)
We Are Anonymous portrays the battle unfolding for control of the
Internet era as insurgent skills and techniques for cyber and real world
challenges are invented, shared and applied in a struggle with armies of
governments, commerce and institutions accustomed to collusive domination.
Parmy Olson's highly informative account based on extensive interviews, IRC
chats, emails of celebrated nics of Anonymous, LulzSec and other subversive
inititatives demonstrates that these well-publicized skirmishes are only
a small part of a much greater conflict underway between agile, swarming,
anarchic, proficient dissidents and heirarchical, sclerotic, bloated and
inept authorities worldwide.
This is a amply resourced book to learn about a rapidly spreading under-culture
undermining the over-culture, to enjoy its Encyclopedia Dramatica humor,
to be infected by its gutsy courage, for appreciating its generous, bountiful,
defiant lulz.
Above all, though, this rollicking narrative of misbehavior and disobedience
can inspire opposition to the pretentious, ponderous, manipulative ideology
of using the Internet to enforce knowledge consumption manufactured by gov,
com, edu and org.
This volume shows that the prime force working both sides of the contest
is opportunistic multi-headed media gorgon of journalism, film, documentaries,
scholarship and personal data aggregating -- social engineering, egging
on, flattering, seducing, lying, betraying, cheating, double-crossing, promising
fame, notoriety and gratification -- deploying the traditional means and
methods of uniquely privileged spies operating outside the rules of engagement,
claiming the high ground above the battleground from their own protected
overlook to broadcast beguiling events as they fabricate and churn opinion,
news and knowledge.
Succumb to the allure of publicity gorgons and be packaged for sale to your
enemies.
The gorgons are legion. Expect them to promote suspicion. This should make
U mad.
__________
Apropos:
From a New York Times
review
of Buzz Bissinger's latest book:
In a line thats as slashing as anything in Janet Malcolms book
The Journalist and the Murderer, he says: All writers silently
soak up despair for our own advantage; like dogs rolling in the guts of dead
animals, the stink of others makes us giddy. We deny it but we lie in denying
it.
http://en.wikipedia.org/wiki/The_Journalist_and_the_Murderer
The Journalist and the Murderer is an examination of the professional
choices that shape a work of non-fiction, as well as a rumination on the
morality that underpins the journalistic enterprise. The journalist in question
is the author Joe McGinniss; the murderer is the former Special Forces Captain
Jeffery MacDonald, who became the subject of McGinniss' 1983 book Fatal
Vision.
When Malcolm's work first appeared in March 1989, as a two-part serialization
in The New Yorker magazine, it caused a sensation, becoming the occasion
for wide-ranging debate within the news industry.
Malcolm's thesis, and the most widely quoted passage from The Journalist
and the Murderer, is presented in the book's opening paragraph: "Every
journalist who is not too stupid or too full of himself to notice what is
going on knows that what he does is morally indefensible." She continues:
He is a kind of confidence man, preying on people's vanity, ignorance or
loneliness, gaining their trust and betraying them without remorse. Like
the credulous widow who wakes up one day to find the charming young man and
all her savings gone, so the consenting subject of a piece of nonfiction
learnswhen the article or book appearshis hard lesson. Journalists
justify their treachery in various ways according to their temperaments.
The more pompous talk about freedom of speech and "the public's right to
know"; the least talented talk about Art; the seemliest murmur about earning
a living."
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