18 November 2013
Sensing War
From: Kevin McSorley [kevin.mcsorley[at]PORT.AC.UK]
Sent: 18 November 2013 12:24
To: CYBER-SOCIETY-LIVE[at]JISCMAIL.AC.UK
Cc: Kevin McSorley
Subject: Call for Papers: Sensing War. June 12-13th 2014
Call for Papers
Sensing War
International Interdisciplinary Conference. 12 - 13th June 2014. London,
UK.
Website: http://sensingwar.org/
War is a crucible of sensory experience and its lived affects radically transform
ways of being in the world. It is prosecuted, lived and reproduced through
a panoply of sensory apprehensions, practices and "sensate regimes of war"
(Judith Butler 2012) from the tightly choreographed rhythms of patrol
to the hallucinatory suspicions of night vision; from the ominous mosquito
buzz of drones to the invasive scrape of force-feeding tubes; from the
remediation of visceral helmetcam footage to the anxious tremors of the IED
detector; from the desperate urgencies of triage to the precarious intimacies
of care; from the playful grasp of children's war-toys to the feel of cold
sweat on a veteran's skin.
Recognising the recent growth of ground-breaking work on the senses across
the humanities and social sciences, Sensing War aims to bring together
researchers from a wide variety of disciplines to foster creative dialogue
and critical exploration of the multiple and shifting relationships between
war and sensation. What concepts, resources and methods does the sensuous
turn in scholarship offer to further our understandings of the myriad experiences
of war and militarism? How is war sensed by and for the drone operator, the
occupied population, the female engagement team, the insurgent, the medic,
the refugee, the veteran, the military family, the arms fair delegate, the
war tourist, the video-gamer, the artist? As war continuously shape-shifts,
bleeding across the global flows of late modernity, how might attentiveness
to sensory experience help us to rethink its genealogy and ontology? How
might we enable innovative and critical sensory engagements with war that
allow us to see, hear, sense and understand it anew?
We invite contributions that engage with the topic of Sensing War widely
and creatively. Potential themes may include, but are not limited to:
Sensing bodies, technologies and environments of war
Sensory and scopic regimes and counter-regimes of war
The militarization of sensation
War politics and the distribution of the sensible
Military orientalism, the colonial nervous system and the empire of
the senses
Touch/smell/sound/vision/tastes of war
Rhythms, movements and kinaesthetics of war
The sensory and affective grammar of everyday life in wartime
Sensuous war/play
Sensation-seeking, extremity, craving and addiction in warfighting
Sensing the shadows of war
Sensory resonances and aftermaths of war
Gender, class, race, sexuality, disability and sensations of war
War sensation and activist practice
Doing sensuous ethnographies, sociologies, geographies and histories
of war
Please send paper abstracts (max 500 words), or details of other proposed
contributions, together with brief biographical details, by 14th February
2014 to: sensingwar[at]gmail.com
All proposals are subject to a review process. We aim to publish selected
papers from the conference as a special themed issue of a relevant journal
and an edited collection.
Please address any other queries to Kevin McSorley:
kevin.mcsorley[at]port.ac.uk
Academic Committee
Kevin McSorley, Sociology, University of Portsmouth
Debbie Lisle, International Relations, Queens University Belfast
Tara Woodyer, Geography, University of Portsmouth
Holger Pötzsch, Media & Culture, University of Tromsø
Joseph Burridge, Sociology, University of Portsmouth
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