10 December 2001
Source:
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US Department of State
International Information Programs
Washington File
_________________________________
07 December 2001
(WIPO pact will enter into force March 6, 2002) (1420) Gabon has become the 30th country to accede to an international copyright treaty protecting authors' rights on the Internet, paving the way for the pact's entry into force on March 6, 2002. The World Intellectual Property Organization (WIPO) welcomed Gabon's December 6 accession, and said in a statement that the WIPO Copyright Treaty (WCT), by safeguarding the interests of creators in cyberspace, "opens new horizons for composers, artists, writers and others to use the Internet with confidence to create, distribute and control the use of their works within the digital environment." The WCT is one of a pair of treaties negotiated by 160 countries in 1996 to protect against piracy on the Internet. The second pact, the WIPO Performances and Phonograms Treaty (WPPT), has to date been ratified by 28 countries and is expected to reach the 30-country threshold "in the near future," the WIPO statement said. Both treaties require countries to provide a basic framework that give creators a measure of control -- or compensation -- for the ways their creations are used or enjoyed by others. They clarify that traditional copyright restrictions on reproduction rights continue to apply in the digital environment, but give countries some flexibility in establishing some exceptions to rights in the digital environment. The treaties also ensure that holders of copyrights can license their works online, and require countries to provide legal protections against "hackers" who manage to circumvent encryption tools and other technological measures that aim to protect works on the Internet. In the WIPO statement, Director General Kamil Idris said the new norms provided for in the WCT and the WPPT "are vital for the further development of the Internet, electronic commerce and thereby the culture and information industries." He also underlined that to be truly effective the treaties must become widely adopted by countries in all regions of the world. "While we have reached the key number of 30 countries required for entry into force, I urge all other countries to follow suit and to incorporate the provisions of the WCT and WPPT into their national legislation. This will create the conditions necessary for the broad-based and legitimate distribution of creative works and recordings on the Internet," he said. Following is the text of the WIPO statement: (begin text) Press Release Geneva, December 6, 2001 30TH ACCESSION TO KEY COPYRIGHT TREATY PAVES WAY FOR ENTRY INTO FORCE Gabon's accession on December 6, 2001 to the WIPO Copyright Treaty (WCT) paves the way for entry into force of this key treaty that will bring copyright law in line with the digital age, a move welcomed by the Director General of the World Intellectual Property Organization (WIPO), Dr. Kamil Idris. This accession means that the WCT will enter into force in three months time, on March 6, 2002. The WIPO Performances and Phonograms Treaty (WPPT) is also expected to enter into force in the near future when 30 countries have become party to it (28 to date). By safeguarding the interests of creators in cyberspace, the WCT opens new horizons for composers, artists, writers and others to use the Internet with confidence to create, distribute and control the use of their works within the digital environment. "This is an important day in the history of copyright, making it better equipped to meet the technological challenges of cyberspace" said Dr. Idris, noting that this will provide a platform for creators to further exploit the Internet with confidence. "Together, these treaties represent a milestone in modernizing the international law of copyright and neighboring rights, ushering it into the digital age," said Dr. Idris. The Director General emphasized the importance of the new norms provided for in the WCT and the WPPT which, he said, are vital for the further development of the Internet, electronic commerce and thereby the culture and information industries. He stressed that for the treaties to be truly effective in the borderless world of cyberspace, they must become widely adopted by countries in all regions of the world. "While we have reached the key number of 30 countries required for entry into force, I urge all other countries to follow suit and to incorporate the provisions of the WCT and WPPT into their national legislation. This will create the conditions necessary for the broad-based and legitimate distribution of creative works and recordings on the Internet," he said. These two treaties will help ensure that artists, composers, writers, musicians and others involved in the creative process are protected from Internet piracy, Dr. Idris noted. Background Copyright law provides protection for literary and artistic works, giving authors the ability to control the exploitation of their works. The law of related rights provides similar protection for the creative contributions of those involved in presenting works to the public, such as performers, phonogram producers and broadcasters. These rights are provided by national laws in individual countries. International treaties serve to forge links among different national laws, ensuring that creators are also protected in another country than their own. The treaties do not overrule national law, but require the countries that join them to grant some specified minimum rights, and to do so on a nondiscriminatory basis. Adopted in 1996, the WCT and WPPT update and improve the international protection which was established prior to the development and widespread use of personal computers and the Internet. The WCT introduces new and far-reaching norms to protect the rights of authors within the digital environment. It protects literary and artistic works, a broad category that includes books, computer programs, music, art, and movies. It updates and supplements the Berne Convention for the Protection of Literary and Artistic Works, the major international copyright treaty in the world today which was originally adopted in 1886, and most recently revised in 1971. The WPPT will similarly safeguard the interests of producers of phonograms or sound recordings as well as of the performers whose performances are fixed in phonograms. It updates and supplements the major related rights treaty, the Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations (adopted in 1961). In this way, the WCT and WPPT provide responses to the challenges of the new digital technologies. It is for this reason that they have come to be known as the "Internet treaties." Both treaties require countries to provide a basic framework of rights, allowing creators to control and/or be compensated for the various ways in which their creations are used and enjoyed by others. The treaties ensure that rightholders will continue to be adequately and effectively protected when their works are disseminated over the Internet. They do so, first, by clarifying that the traditional right of reproduction continues to apply in the digital environment, including to storage of material in digital form in an electronic medium; and by confirming the rightholders' right to control the making available of their creations on demand to individual members of the public. In order to achieve a balance of interests, the treaties also make clear that countries have flexibility in establishing exceptions or limitations to rights in the digital environment, and may either extend existing exceptions and limitations or adopt new ones, as appropriate in the circumstances. The treaties also break new ground by ensuring that rightholders can effectively use technology to protect their rights and to license their works online. The "anti-circumvention" provision addresses the problem of "hacking" by requiring countries to provide adequate legal protection and effective remedies against the circumvention of technological measures, such as encryption. Such technologies are used by rightholders to protect their rights when their creations are disseminated on the Internet. The treaties also serve to safeguard the reliability and integrity of the online marketplace, by requiring countries to prohibit the deliberate alteration or deletion of electronic "rights management information": that is, information that identifies a work, its author, performer or owner, and the terms and conditions for its use. Both treaties also contain provisions on rights of distribution and rental, rights to be remunerated for certain forms of broadcasting or communication to the public, and an obligation for countries to provide adequate and effective enforcement measures. For further information, please contact the Media Relations and Public Affairs Section at WIPO: Tel: ?3388161/3389547; Email: publicinf@wipo.int; Fax: ?3388810. (end text) (Distributed by the Office of International Information Programs, U.S. Department of State. Web site: http://usinfo.state.gov)